Squid Mag, the criticism, the Squid Map. Writing down African comics, animation, and games before anyone else bothered to.
Why this exists
Not a portfolio. A map of one long project — and how every piece connects.
For about a decade I’ve been building the same thing under different names: infrastructure for African creative culture. A magazine. A festival. A few studios. A real-estate platform. Some small tools. Most of it lives in scattered tabs across the internet — easy to miss, easy to lose. This site is where it finally connects.
The logic is simple and it never changed. Document the scene the internet kept ignoring. Build the institutions it needed. Make the tools that should already exist. Comics led to a magazine; the magazine led to a festival; the festival led to rooms full of people who should have met years ago. The day job in digital marketing paid for all of it — and taught me how audiences actually move.
Put together, it’s one project with a name — Dark Lantern Media — and one person behind it. This page is the map. Everything else on the site is a stop on it.
Three moves, on repeat
Akolabone, AAFFia, Noanyi, Toli, the rooms. Turning the documentation into institutions people can actually walk into.
Gator, the calculators, ƒoha. Small tools that each do one useful thing — and actually ship.
One umbrella, six directions
Everything radiates from the same place. Follow a light into that part of the work.
That’s the whole shape of it. If you want the detail, the empire has the ventures, the Lab has the tools, and Work with me is the door in.